Don’t miss your chance to hear the LAST (for now) Berlin performance of Billy the Kid and the Outlaws at the Oxident Bar this Saturday, June 2nd, at 10 pm. The show will be a memorable one featuring several special guests.
The Oxident Bar is here: http://www.oxident.de
The Outlaws are: William Bares, aka Billy the Kid, [...]
This might be the book I’ve been waiting for: http://www.musimathics.com/
Eine Unverfrorenheit sondergleichen ist es, daß Klaus Wowereit, der Mann also, welcher das Amt des Kultursenators mirnichtsdirnichts im letzten Jahr abschaffte und damit der Kulturlandschaft Berlins nachhaltigen Schaden zufügte, daß dieser Mann sich also gestern Abend auf den Bebelplatz stellte, um ca 20 000 Menschen zu einer Liveübertragung von Massenets Manon aus der Staatsoper [...]
What I should have said to Peter Sloterdijk when sitting next to him on the plane:
Do you talk like you write?
[Thanks, Frederic!]
The Academy of Arts in Berlin will open its exhibition on the life and works of Walter Kempowski tonight. No other book in recent years has fascinated me as much as Kempowski’s Echolot. A collective diary, as Kempowski call his opus magnus in the subtitle, the book brings together thousands of autobiographical reports, letters, diaries, [...]
From May 18 - 20, the Staatliches Institut für Musikforschung will host the inaugural conference of the Society for Mathematics and Computation in Music (SMCM). The conference will feature a diverse set of promising papers on topics such as Metalanguage and Representation, Computational Models in Music Psychology, Mathematical Approaches to Composition, Mathematical Approaches to Musical [...]
Spätwerk (= Late works). There are two basic implications when talking about late works. First, the conventional view that late works are rich compositions by a mature and wise composer. This approach stresses the dignity and complexity of the compositions and implies that they embody the summit of an artist’s compositional development. Seen in this [...]
The Deutsche Oper is continuing its 19th-century opera marathon with performances of Rossini’s Semiramide (today), Verdi’s La Traviata (Thursday), Léo Delibes’ ballet Sylvia (Friday), the Verismo-potpourri Cavalleria rusticana | Pagliacci by Mascagni and Leoncavallo (Saturday), and on Sunday Weber’s Freischütz.
The Staatsoper is still worshipping Anna N. with performances of Manon on Thursday and Sunday [...]