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	<title>Comments on: Would You Buy an Instant-Recording While Walking Out of a Concert?</title>
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	<description>A web magazine about music, history and the politics of culture</description>
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		<title>By: Matthias Röder</title>
		<link>http://www.zeitschichten.com/2009/11/06/instant-recording/comment-page-1/#comment-22570</link>
		<dc:creator>Matthias Röder</dc:creator>
		<pubDate>Thu, 26 Nov 2009 03:28:44 +0000</pubDate>
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		<description>A propos world premiere: As a composer, would you like the idea that a non-edited recording of your piece is sold before a studio recording of it is available? I am just thinking that both performer and composer are giving up a lot of control in this situation, no?</description>
		<content:encoded><![CDATA[<p>A propos world premiere: As a composer, would you like the idea that a non-edited recording of your piece is sold before a studio recording of it is available? I am just thinking that both performer and composer are giving up a lot of control in this situation, no?</p>
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		<title>By: Jean-François Charles</title>
		<link>http://www.zeitschichten.com/2009/11/06/instant-recording/comment-page-1/#comment-22566</link>
		<dc:creator>Jean-François Charles</dc:creator>
		<pubDate>Thu, 26 Nov 2009 02:59:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.zeitschichten.com/?p=927#comment-22566</guid>
		<description>That&#039;s a pretty good idea. I could be tempted. If the concert includes a special thing (bonus  track, special guest, or world premiere of a piece), then I&#039;m sure it would be a great memory to keep - and many could be willing to pay for that.</description>
		<content:encoded><![CDATA[<p>That&#8217;s a pretty good idea. I could be tempted. If the concert includes a special thing (bonus  track, special guest, or world premiere of a piece), then I&#8217;m sure it would be a great memory to keep &#8211; and many could be willing to pay for that.</p>
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