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	<title>Comments on: Five contemporary orchestra pieces you have to know</title>
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	<link>http://www.zeitschichten.com/2009/11/30/five-contemporary-orchestra-pieces/</link>
	<description>A web magazine about music, history and the politics of culture</description>
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		<title>By: Tim R-J</title>
		<link>http://www.zeitschichten.com/2009/11/30/five-contemporary-orchestra-pieces/comment-page-1/#comment-24695</link>
		<dc:creator>Tim R-J</dc:creator>
		<pubDate>Fri, 22 Jan 2010 17:48:17 +0000</pubDate>
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		<description>Pushing things a little more towards the contemporary, and off the top of my head, how about:

Lachenmann: Kontrakadenz
Barrett: Vanity
Murail: Disintégrations
Holliger: COncErto?…cErtO!
Spahlinger: Passage/Paysage</description>
		<content:encoded><![CDATA[<p>Pushing things a little more towards the contemporary, and off the top of my head, how about:</p>
<p>Lachenmann: Kontrakadenz<br />
Barrett: Vanity<br />
Murail: Disintégrations<br />
Holliger: COncErto?…cErtO!<br />
Spahlinger: Passage/Paysage</p>
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		<title>By: Huflaikhan</title>
		<link>http://www.zeitschichten.com/2009/11/30/five-contemporary-orchestra-pieces/comment-page-1/#comment-23415</link>
		<dc:creator>Huflaikhan</dc:creator>
		<pubDate>Sat, 19 Dec 2009 09:43:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.zeitschichten.com/?p=1035#comment-23415</guid>
		<description>Muss ich drüber nachdenken. Ist plötzlich schwer. Einfache Antwort, aber falsch, wäre:

Fünf Stücke für Orchester op. 16 von Schönberg. 1 bis 5. ;-)</description>
		<content:encoded><![CDATA[<p>Muss ich drüber nachdenken. Ist plötzlich schwer. Einfache Antwort, aber falsch, wäre:</p>
<p>Fünf Stücke für Orchester op. 16 von Schönberg. 1 bis 5. ;-)</p>
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		<title>By: Matthias Röder</title>
		<link>http://www.zeitschichten.com/2009/11/30/five-contemporary-orchestra-pieces/comment-page-1/#comment-22682</link>
		<dc:creator>Matthias Röder</dc:creator>
		<pubDate>Mon, 30 Nov 2009 02:43:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.zeitschichten.com/?p=1035#comment-22682</guid>
		<description>Good point!

I think, however, that apart from a few musicians, musicologists, and composers most people consider music by Stockhausen, Ligeti, and Xenakis to be &quot;contemporary music.&quot; It seems to be more like a genre tag than a chronology issue, I think.

Might there be a difference between the terminology that we professionals use and the terms that the wider public uses?</description>
		<content:encoded><![CDATA[<p>Good point!</p>
<p>I think, however, that apart from a few musicians, musicologists, and composers most people consider music by Stockhausen, Ligeti, and Xenakis to be &#8220;contemporary music.&#8221; It seems to be more like a genre tag than a chronology issue, I think.</p>
<p>Might there be a difference between the terminology that we professionals use and the terms that the wider public uses?</p>
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		<title>By: Sam Dorf</title>
		<link>http://www.zeitschichten.com/2009/11/30/five-contemporary-orchestra-pieces/comment-page-1/#comment-22681</link>
		<dc:creator>Sam Dorf</dc:creator>
		<pubDate>Mon, 30 Nov 2009 01:45:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.zeitschichten.com/?p=1035#comment-22681</guid>
		<description>Funny, I clicked on the link expecting to see a list of orchestral works premiered or written in the past 10-15 years. Can we really call these works contemporary if (except for the Haas) there are between 30 and 50 years old?</description>
		<content:encoded><![CDATA[<p>Funny, I clicked on the link expecting to see a list of orchestral works premiered or written in the past 10-15 years. Can we really call these works contemporary if (except for the Haas) there are between 30 and 50 years old?</p>
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