Zeitschichten is a web magazine about music and history. The title is German and means “layers of [musical and historical] time.” Zeitschichten was founded and is edited by Matthias Röder.

The authors

Matthias Röder

studied music at the Mozarteum University in Salzburg before moving to Boston in 2002 to attend the musicology program at Harvard University. He lived in Berlin for two years where he has been conducting research for his dissertation on Music, Politics, and the Public Sphere in Berlin around 1800. Matthias just moved back to Boston to finish this project. When not reading and writing, Matthias goes to the opera, new music concerts, and the BSO as often as possible.

Zoë Lang

teaches in the School of Music at the University of South Florida. She studied at McGill University and Harvard University, graduating in 2005 with a Ph.D. in historical musicology. Her main research interests include Strauss waltzes and Austrian culture, German Hausmusik in the twentieth century, and why hockey plays such a prominent role in Quebeçois life. She is currently at work on a book called Austrian Music: the Strauss Family Legacy and occasionally contributes to the blog amusicology. Zoe is also the author of Shots Heard ‘Round the Web: One Fan Observes, a blog on professional sports.

Yaprak Melike Uyar

is completing a master’s degree in ethnomusicology at the Istanbul Technical University MIAM, School of Advanced Studies in Music. She is a radio programmer and a freelance music writer from Turkey and hosts two radio programs at Acik Radio; one concentrates on avant-garde in all genres while the other program features the musics of the world with an eclectic approach that focuses on a different country each week. Yaprak also contributes to Jazz Magazine Turkey. Her research topics include New Music, jazz and improvised musics in Istanbul.

Sarah Zalfen

studied political sciences at the Free University Berlin. She worked as personal assistant for cultural policy matters of Michael Roth, Member of the German Parliament and as a freelance manager and producer of several off opera productions. Currently she is finishing her PhD thesis concerning the relationship between opera and the state at the end of the 20th century in Germany, France and Great Britain.

Frederic Ohringer

is an American artist who lives part-time in Berlin. A website with his portfolio can be found at http://ohringerphotography.com/.

Anicia Timberlake

is a violist, musicologist, and teacher from California who is currently living in Berlin.

Bert van Herck

is a Belgian composer who lives and works in Cambridge, MA.

Michael Scott Cuthbert

is a musicologist who has worked extensively on music of the fourteenth-century and of the past forty years, particularly minimalism. He has also published on John Zorn and on music theory of West African rhythm. Cuthbert’s current project is a book on sacred music in Italy from the coming of the Black Death to the end of the Great Schism. He is also a strong advocate for the use of computers in musicology, and runs a research group at M.I.T., “music21,” that is developing new tools for computer-aided analysis. Michael has won the Rome Prize in Medieval Studies and the Villa I Tatti Fellowship in Italian Renaissance Studies. As a composer, his works have been performed by the Bang on a Can All-Stars and other groups. Formerly a student at Harvard (A.B. and Ph.D.) and a faculty member at Smith and Mount Holyoke Colleges, Cuthbert is currently Assistant Professor of Music at M.I.T.