Zeitschichten is a web magazine about music and history. The title is German and means “layers of [musical and historical] time.” Zeitschichten was founded and is edited by Matthias Röder.
The authors
Matthias Röder
is a Post-Doc and College Fellow at Harvard University where he has just finished his PhD thesis on “Music, Politics, and the Public Sphere in Late Eighteenth-Century Berlin.” His main research interests include social history of music, digital musicology, as well as the creative process of Ludwig van Beethoven. He has published his research in the US, Germany, and Austria and has appeared frequently as a conference speaker and guest lecturer. Matthias is the founder and editor of Zeitschichten.com, a web magazine on music and history, where he writes on contemporary music, the future of the classical music industry, and the art of listening to music. Before coming to Harvard in 2002, Matthias studied music at the Mozarteum University in Salzburg.
In addition to his academic and scholarly projects, Matthias is also active as an artistic advisor and music manager for several New Music projects in the United States, Turkey, Germany, and Austria for which he produced CD recordings, concerts, video, and educational events.
More about Matthias’ work can be found on his personal website at http://matthias.zeitschichten.com
Zoë Lang
teaches in the School of Music at the University of South Florida. She studied at McGill University and Harvard University, graduating in 2005 with a Ph.D. in historical musicology. Her main research interests include Strauss waltzes and Austrian culture, German Hausmusik in the twentieth century, and why hockey plays such a prominent role in Quebeçois life. She is currently at work on a book called Austrian Music: the Strauss Family Legacy and occasionally contributes to the blog amusicology. Zoe is also the author of Shots Heard ‘Round the Web: One Fan Observes, a blog on professional sports.
Yaprak Melike Uyar
is completing a master’s degree in ethnomusicology at the Istanbul Technical University MIAM, School of Advanced Studies in Music. She is a radio programmer and a freelance music writer from Turkey and hosts two radio programs at Acik Radio; one concentrates on avant-garde in all genres while the other program features the musics of the world with an eclectic approach that focuses on a different country each week. Yaprak also contributes to Jazz Magazine Turkey. Her research topics include New Music, jazz and improvised musics in Istanbul.
Sarah Zalfen
studied political sciences at the Free University Berlin. She worked as personal assistant for cultural policy matters of Michael Roth, Member of the German Parliament and as a freelance manager and producer of several off opera productions. Currently she is finishing her PhD thesis concerning the relationship between opera and the state at the end of the 20th century in Germany, France and Great Britain.
Frederic Ohringer
is an American artist who lives part-time in Berlin. A website with his portfolio can be found at http://ohringerphotography.com/.
Anicia Timberlake
is a violist, musicologist, and teacher from California who is currently living in Berlin.
Bert van Herck
is a Belgian composer who lives and works in Cambridge, MA.
Michael Scott Cuthbert
is a musicologist who has worked extensively on music of the fourteenth-century and of the past forty years, particularly minimalism. He has also published on John Zorn and on music theory of West African rhythm. Cuthbert’s current project is a book on sacred music in Italy from the coming of the Black Death to the end of the Great Schism. He is also a strong advocate for the use of computers in musicology, and runs a research group at M.I.T., “music21,” that is developing new tools for computer-aided analysis. Michael has won the Rome Prize in Medieval Studies and the Villa I Tatti Fellowship in Italian Renaissance Studies. As a composer, his works have been performed by the Bang on a Can All-Stars and other groups. Formerly a student at Harvard (A.B. and Ph.D.) and a faculty member at Smith and Mount Holyoke Colleges, Cuthbert is currently Assistant Professor of Music at M.I.T.
Anne Schumacher
is completing her bachelor’s degree in Baltic Management Studies at the University of Applied Sciences in Stralsund. She is currently working for K&K Kulturmanagement in Berlin to write her Bachelor thesis there. Since several years, she has been working in the cultural sector, sometimes onstage with contemporary dance, but mostly by assisting to organize cultural events.
Emily Abrams Ansari
is a musicologist who studies and teaches the history of classical music during the 20th century. Currently working as Assistant Professor of Music History at the University of Western Ontario in Canada, she received her PhD from Harvard University in 2010. Emily is presently at work on two book projects that deal with the US government’s promotion of music overseas during the Cold War. She is also an enthusiastic amateur violinist.


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