Earlier on today I was chatting with a friend from Munich who seemed to have a lot of fun with the YouTube videos of the Mozart Karaoke that I put on this blog a while back. By accident I came across an interesting video on facebook today that I wanted to share with you. Remember [...]
What I should have said to Peter Sloterdijk when sitting next to him on the plane: Do you talk like you write? [Thanks, Frederic!]
The Academy of Arts in Berlin will open its exhibition on the life and works of Walter Kempowski tonight. No other book in recent years has fascinated me as much as Kempowski’s Echolot. A collective diary, as Kempowski call his opus magnus in the subtitle, the book brings together thousands of autobiographical reports, letters, diaries, [...]
Spätwerk (= Late works). There are two basic implications when talking about late works. First, the conventional view that late works are rich compositions by a mature and wise composer. This approach stresses the dignity and complexity of the compositions and implies that they embody the summit of an artist’s compositional development. Seen in this [...]
This has probably been roaming around for quite a few days but nevertheless I don’t want to deprive you, dear readers, of this fabulously ridiculous story about a new dress code at the Scala in Milan. The dress code Our correspondent Opera Chic in Milan on the matter Tagesschau covering God, I’m glad I live [...]
Tonloses Geraschel (Peter Uehling: “Tonloses Geraschel,” Berliner Zeitung, September 27, 2006, p. 30) Natureuphorien Verdämmernde Exposition Streicherwärme Julia Spinola: “Streiflicher aus dem Jenseits,” Frankfurter Allgemeine Zeitung, September 30, 2006, p. 41.
I just came across this podcast from the Deutsche Welle that features the DSO Berlin under Kent Nagano playing six symphonies by what the Deutsche Welle website calls “six master composers.” The pieces are: Richard Strauss: An Alpine Symphony Ludwig van Beethoven: Symphony No. 3 (Eroica) Robert Schumann: Symphony No. 3 (Rhenish) Johannes Brahms: Symphony [...]
Thank you to Jonathan Bellman for an inspiring post on Bach and the lunatic musician’s life style we all adhere to! Dial “M” to see the details!
Arnold Schoenberg: Serenade, op.24; Suite, op. 29. Robert Craft (conductor). Koch Classics, 1997. “and talentless composers. the music contained on this cd is proof enough in and of itself that Arnold Schoenberg was a mediocre musical talent, and turned to composing in an alienist atonal style only after he could plainly see that he could [...]
molldüster engelhaft süßes Tenortimbre flehentlich-expressive Nuancierung warme Baßfülle Julia Spinola on Mozart’s Betulia liberata at the Salzburg Festival. Frankfurter Allgemeine Zeitung, August 22, 2006, p. 31.
After weeks of abstinence I finally bought new CDs, scores, and books yesterday. For those of you who live in Berlin, check out the Kulturkaufhaus Dussmann. It has a huge collection of classical music CDs in the basement. Here is what I bought: 1) The Camerata Salzburg conducted by Sandor Vegh with Bartok’s Divertimento for [...]
In a recent blog post at On a Pacific Aisle, Joshua Kosman, the music critic of the San Francisco Chronicle, introduces us to what he calls a “magic moment” in Gustav Mahler’s 9th Symphony. The passage in question lasts only one quarter note, and in his article, Joshua shares with us his thoughts and feelings [...]
When I first came to Salzburg in 1992, 15 years old, I lived in a small room on Moos Strasse that had a beautiful view on the Untersberg. From that first day on, I wanted to climb this mountain which casts its shadow over the town on sunny days (and believe me there aren’t many [...]
In Turkey five times a day all music stops. The loudspeakers on public beaches stop pounding dancing rhythms, the DJs in bars and clubs grant their audiences some time to get new refreshments, the shopkeepers’s radios cool down their tubes: all of Turkey listens to the Muezzin’s call to prayer (click here to hear a [...]
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